Coming to Terms in the Second and Third Generations of non Jewish Germans and Jews After the Holocaust: Janice Hamer’s Opera Lost Childhood
Affiliation: Via Olona 5; 20023 Cerro Maggiore (Mi), Italy.
Keywords: Holocaust, anti-Semitism, inter-generational transmission of trauma, opera
The opera Lost Childhood is based on a fictional encounter between the son of a Holocaust survivor and the
son of a German Nazi sympathizer. The account of the Holocaust survivor is based on the book The Lost Childhood by
Yehuda Nir, a child and adolescent psychiatrist living in New York, who spent the war with members of his family in
hiding pretending to be Polish Catholics. The son of the Nazi sympathizer is fictitious, but the dialogue between the two
characters is based on the friendship between Nir and the author of this article, a music historian and great grandson of the
composer Richard Wagner. The author describes his involvement with the author of the opera, what the opera attempts to
convey, and his own life’s work to confront the Wagner clan’s anti-Semitism, and its close friendship with Hitler between
1923 to 1945 and support of the Nazi regime, and to create his own moral standards. Finally, he describes his own son’s
thoughts and feelings as he, as a Wagner and German, born after Hitler, learns about the genocide of European Jews
between 1933 and 1945 and reacts with his humanitarian commitments.
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